

The Tremulant stop still engages the tremmed samples for the entire organ, including the pedal stops. Tremulant works for the entire organ with the exception of Untersatz, Principal Bass 16 and Posaunen Bass 16.A dedicated "mixing desk" is available in Hauptwerk to mix the sound to the desired level. These two pairs of the front ranks can either be mixed together freely to achieve any listening position between the two extremes, or used separately - depending on the prefererences of the user. The two pairs of the front ranks feature two different recording positions: direct (near to the pipes) and diffuse (distant from the instrument). In total, there are 4 front audio channels and 2 rear channels. In addition to the usual 4-channel surround, there are two more alternative front channels.

The sample set is offered in the Surround variant (6 channels). Polyphony of 2000 simultaneous pipes recommended for use of the wet sample set.
HAUPTWERK ARIA MAESTOSA FULL
Polyphony of 4000 voices recommended for the full suround (2000 pipes minimum).

The multiple releases have three levels: short, mid and long. The samples are offered in 48kHz/24bit resolution. In 1990, the organ was meticulously done and it has gained an international reputation since then. The metal for the pipes of Yokota’s Silbermann-style organ was cast from lead reclaimed from spent bullets from the LAPD gun range! The University Farm donated shin bones from cows in order to fashion the keyboards, and the art department’s sculpture lab created the organs pipes out of melted tin and lead. The city of Chico donated enough wood from the fallen Hooker Oak to construct the pedal board and bench, while local lumber companies contributed wood for the organ’s body. He recruited volunteers from the student body and community as his assistants and trained them in the handcraft techniques of the early 18th century as a part of their college curriculum. Hence, one day in 1984, Munetaka Yokota showed up in a small college town, without a team of trained craftsmen and without materials. Subsequently, thanks to the efforts of David Rothe, Munetaka Yokota was hired by the university as an "artist in residence" for several years. The special and unique feature of the instrument is the way it was built.ĭavid Rothe, the music and organ teacher at the university since 1968, met with Munetaka Yokota when he was an apprentice of John Brombaugh and the two visionaries prepared a project of building the organ on site in the same way organs were built several centuries ago.
HAUPTWERK ARIA MAESTOSA MANUAL
The 2 manual tracker organ owned by the Chico State University (California) was built by Munetaka Yokota according to the aesthetic and artisanal principles of Gottfried Silbermann. Is it Beatbuddy Manager who exports errors? Is Cubase unable to import correctly?.Yokota Centennial Organ of Chico State University (1984-1990) Maybe the dead a long life bugg…Ĭan someone give me feedback about this repair method ? I’m not sure this method be the best repairing midi tracks with polyphonic instruments playing long duration notes, but it fits good for any percusive intrument track.
HAUPTWERK ARIA MAESTOSA WINDOWS
Thanks to AxelSchweiss, pointing Windows media player can plan any BBManager exported file, he gave me a Workaround idea to repair BBManager exported files with 100% successing.ġ - right click the BBManager part to export it as fileA.mid somewhere else than the default folder,Ģ - I personally used Aria Maestosa version 1.4.12 (freeware) which have the ability to put notes on the timeline, right in place and same lenghts.ĥ - Import fileB.midin any Midi editing software, it works !Ħ - Re-import fileB.midin BBManager, it works again !ħ - Cherry over the cake, it works fine also with original SingularSounds beats provided with the BBuddy, even if it seems BBManager do not export the tempo.
